 | | Geraldo De Barros: Fotoformas
by Fernando CastroAbstractions by a Brazilian proponent of Concrete Art. |
 | | The Night Has A Thousand Eyes: Red Road and Look
by Greil Marcus
Two films take surveillance as their subject and form. |
 | | A Form of Recollection: The Architectural Interiors of Luisa Lambri
by Susan Morgan
Minimalist images of modernist interiors. |
 | | Photographer of Modern Life: Camille Silvy
by Mark Haworth-BoothA nineteenth-century precursor of contemporary photographic sensibilities. |
 | | The Meaning of the Twentieth-Century Press Archive
by Mary PanzerRecent sales of important archives raise the question of the cultural value of photographs as objects. |
 | | Lavina: Photographs
by Yann GrossPlanned avalanches in the alps. |
 | | Sara VanDerBeek: Compositions
by Brian SholisPhotography, the trace, and history. |
 | | The Less-Settled Space: Civil Rights, Hannah Arendt, and Garry Winogrand
by Ulrich BaerHow the influential political philosopher may have misread iconic images. |
 | | Collier Schorr: Both Sides Now
by Vince AlettiSchorr's diverse work plays with art, fashion, and gender. |
