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 | Sophie Calle: A Lover's Monologue
By Giuseppe Merlino
Merlino considers Calle's recent project Prenez soin de vous (Take Care of Yourself), exhibited at last year's Venice Biennale. |
 | The Films of Robert Frank
By Luc Sante
Sante discusses Frank's films Pull My Daisy, The Sin of Jesus, and Me and My Brother. |
 | Disappearances: The Photographs of Trevor Paglen
By Thomas Keenan
Paglen's work with photography and other media confronts the shadowy world of covert American military programs. |
 | How Images Can Break the Silence
Photographs by Gilles Peress
Commentary by John Berger
Through words, photographs, and an extraordinary exhibition, Peress and Berger express their responses to Picasso's Guernica. |
 | Jane Hammond's Recombinant DNA
By Amei Wallach
Although known for her paintings and prints, Hammond has produced a series of theatrical photo-collages. |
 | Town and Country: Reading for the Leisure Class
By Vince Aletti
Aletti looks back at the heyday of this publication conceived to entertain the affluent elite. |
 | Off to Camp: The Photographs of James Bidgood
By Philip Gefter
Bidgood's over-the-top photographs parody the desire they are meant to elicit. |
 | Susan Derges: The Eden Windows
By Mark Haworth-Booth
Derges implements unusual photographic techniques in an extraordinary series inspired by the elements. |
 | Heavy Light: Recent Photography and Video from Japan
A discussion with Christopher Phillips and Fuku Noriko
Aperture speaks with the curators of this landmark exhibition. |
 | Picturing the Iraq War Veterans
By Mary Panzer
A look at how photographers address a grim legacy of the war: wounded veterans. |