Martin Parr Beach Party and Portrait Shoot (Photos)

Martin Parr Beach Party and Portrait Shoot. Photograph by Sophie Finkelstein.
Martin Parr Beach Party and Portrait Shoot. Photograph by Sophie Finkelstein.

Images from Martin Parr’s Beach Party and Portrait Shoot at Aperture Gallery.

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Interview with Anne Hardy

Hardy_01_Notations_FEATURED
Hardy_01_Notations_FEATURED

Photographer Anne Hardy speaks about her new exhibition of photographs and sculptures at Maureen Paley, London.

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#MyApertureMag Instagram Contest Winner Announced

MyApertureMagFeatured
MyApertureMagFeatured

After lengthy deliberations, Aperture Foundation has selected the winner of the #MyApertureMag Instagram competition.

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Another workshop example

For over thirty years, the weekly New York Times Magazine has shaped the possibilities of magazine photography, through its commissioning and publishing of photographers’ work across the spectrum of the medium, from photojournalism to fashion photography and portraiture. In this exhibition, focusing primarily on the past fifteen years, long-time New York Times Magazine Photo Editor Kathy Ryan provides a behind-the-scenes look at the collaborative, creative processes that have made this magazine the leading venue for photographic storytelling within contemporary news media.

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Featured workshop example

For over thirty years, the weekly New York Times Magazine has shaped the possibilities of magazine photography, through its commissioning and publishing of photographers’ work across the spectrum of the medium, from photojournalism to fashion photography and portraiture. In this exhibition, focusing primarily on the past fifteen years, long-time New York Times Magazine Photo Editor Kathy Ryan provides a behind-the-scenes look at the collaborative, creative processes that have made this magazine the leading venue for photographic storytelling within contemporary news media.

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Colin Greenwood on Cuny Janssen, Yoshino

Cuny Janssen Yoshino Snoeck Verlagesgesellschaft mbH Cologne, Germany, 2013 Designed by -SYB- 18 ¼ x 13 ¾ in. (46.3 x 34.8 cm) 54 pages 19 color photographs Hardcover snoeck.de Cuny Janssen’s photographs of the sacred and beautiful Japanese mountain of Yoshino make you feel like you’re there. Her camera directs your eye to the blossoms and branches, streams and forest floors. In one image you float, ghost-like, above the other tourists. She invites us
to imagine we are sharing these views with the ancient writers whose texts are interspersed between Janssen’s images. In combination with the texts, Janssen’s photographs become an…

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Publisher’s Note

Dear PhotoBook Review Readers, We’re delighted to bring you the fourth issue of The PhotoBook Review. Many thanks for your continued interest if you are joining us again—and if this is your first time to pick up an issue of PBR, cheers and welcome. The PhotoBook Review 004 launches at the Los Angeles edition of Paris Photo, and is available once again to Aperture magazine subscribers, at the Aperture gallery, and at the Milan Image Art Fair, extending our audience to the west coast and across the Atlantic. In addition to launching this issue together at the Paramount Studios, Paris…

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Iñaki Domingo on Paul Kooiker, Heaven

  Paul Kooiker Heaven Van Zoetendaal Amsterdam, 2012 Designed by Willem van Zoetendaal 13 ⅜ x 9 ½ in. (34 x 24 cm) 176 pages 494 photographs Hardcover vanzoetendaal.com Paul Kooiker is best known for his startling and singular photographs of voluptuous female forms, yet his individual images are incomprehensible except as a part that cumulatively make up his psychologically charged oeuvre. Kooiker’s photographs do not allow for comfortable looking, instead demonstrating his fascination with the game of perception. He uses a visual language that is both dry and delicate, and that pushes at the limits of the unnerving, forcing…

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ONLINE ONLY: Jason Fulford in Conversation with David Reinfurt—Part 2

David Reinfurt: William James described “attention” as what you choose to attend to, what you select as your present moment. “My experience is what I agree to attend to.” There is a lot in that idea that it is a conscious act to decide, “This is my present moment.” There was a series of fascinating experiments done by German psychologists at the end of the nineteenth century that attempted to measure how long a person understands the present moment to be. Jason Fulford: It sounds like the font you’ve made for the Kadist Art Foundation, which is updated once a…

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