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	<title>Comments on: Daido Moriyama: The Shock From Outside</title>
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	<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/</link>
	<description>Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.</description>
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		<title>By: 5 Lessons Daido Moriyama Has Taught Me About Street Photography &#124; Uber Patrol - The Definitive Cool Guide</title>
		<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/#comment-1549</link>
		<dc:creator>5 Lessons Daido Moriyama Has Taught Me About Street Photography &#124; Uber Patrol - The Definitive Cool Guide</dc:creator>
		<pubDate>Thu, 09 May 2013 18:11:23 +0000</pubDate>
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		<description><![CDATA[[...] an interview with Aperture: &#8220;Daido Moriyama: The Shock From Outside&#8221; (2012) he talks about another reason he enjoys shooting in black and white, which is to capture the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] an interview with Aperture: &#8220;Daido Moriyama: The Shock From Outside&#8221; (2012) he talks about another reason he enjoys shooting in black and white, which is to capture the [...]</p>
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		<title>By: Daido Moriyama: Vintage Prints - Aperture Foundation NY</title>
		<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/#comment-1102</link>
		<dc:creator>Daido Moriyama: Vintage Prints - Aperture Foundation NY</dc:creator>
		<pubDate>Wed, 17 Apr 2013 18:59:20 +0000</pubDate>
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		<description><![CDATA[[...] re-creation of his 1974 performance Printing Show at our New York gallery. For more about Moriyama, see this interview, originally published in Aperture magazine issue [...]]]></description>
		<content:encoded><![CDATA[<p>[...] re-creation of his 1974 performance Printing Show at our New York gallery. For more about Moriyama, see this interview, originally published in Aperture magazine issue [...]</p>
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		<title>By: 5 Lessons Daido Moriyama Has Taught Me About Street Photography — Eric Kim Street Photography</title>
		<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/#comment-888</link>
		<dc:creator>5 Lessons Daido Moriyama Has Taught Me About Street Photography — Eric Kim Street Photography</dc:creator>
		<pubDate>Wed, 27 Mar 2013 11:31:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.aperture.org/?p=11995#comment-888</guid>
		<description><![CDATA[[...] an interview with Aperture: &#8220;Daido Moriyama: The Shock From Outside&#8221; (2012) he talks about another reason he enjoys shooting in black and white, which is to capture the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] an interview with Aperture: &#8220;Daido Moriyama: The Shock From Outside&#8221; (2012) he talks about another reason he enjoys shooting in black and white, which is to capture the [...]</p>
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		<title>By: Five Most Popular Interviews of 2012 - Aperture Foundation</title>
		<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/#comment-396</link>
		<dc:creator>Five Most Popular Interviews of 2012 - Aperture Foundation</dc:creator>
		<pubDate>Wed, 02 Jan 2013 17:43:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.aperture.org/?p=11995#comment-396</guid>
		<description><![CDATA[[...] Daido Moriyama: The Shock From Outside [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Daido Moriyama: The Shock From Outside [...]</p>
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		<title>By: The Digest &#8211; December 16th, 2012 &#124; LPV Magazine</title>
		<link>http://www.aperture.org/blog/daido-moriyama-the-shock-from-outside/#comment-331</link>
		<dc:creator>The Digest &#8211; December 16th, 2012 &#124; LPV Magazine</dc:creator>
		<pubDate>Sun, 16 Dec 2012 20:52:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.aperture.org/?p=11995#comment-331</guid>
		<description><![CDATA[[...] A short interview with Daido Moriyama on the Aperture blog:  I cannot explain every image that I have taken. If I tried to, it would be a sham and boring; it would come across as trivial. That’s not the intention. Each photograph is felt, but there isn’t just one reason for releasing the shutter—there are several reasons, even with a single exposure. The act of photographing is a physiological and concrete response but there is definitely some awareness present. When I take snapshots, I am always guided by feeling, so even in that moment when I’m taking a photograph it is impossible to explain the reason for the exposure. Something might, for example, seem erotic to me. That in itself is a gradation that contains a multiplicity of elements. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] A short interview with Daido Moriyama on the Aperture blog:  I cannot explain every image that I have taken. If I tried to, it would be a sham and boring; it would come across as trivial. That’s not the intention. Each photograph is felt, but there isn’t just one reason for releasing the shutter—there are several reasons, even with a single exposure. The act of photographing is a physiological and concrete response but there is definitely some awareness present. When I take snapshots, I am always guided by feeling, so even in that moment when I’m taking a photograph it is impossible to explain the reason for the exposure. Something might, for example, seem erotic to me. That in itself is a gradation that contains a multiplicity of elements. [...]</p>
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